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What?

By Adam Lippe

My theory has always been that Robert Altman fully developed his never-to-be-broken misanthropy while filming the conclusion of California Split. It was a spur of the moment decision on set, but who knows what Altman was going through personally at the time (he had a major problem with cocaine and alcohol)? George Segal and pal […]

Keep Fooling Yourself: The Films of Dylan Kidd

By Adam Lippe

Somehow, despite being made by a first time filmmaker in love with his own dialogue and with a tendency to smear sentimentality in where it shouldn’t be, Dylan Kidd’s Roger Dodger is one of the better low profile studio/independent films of the decade. Campbell Scott, though he is given all the best lines as a […]

The Tenant

By Adam Lippe

Here’s the idea behind “A Canadian, an American, a Lawyer, and an Elitist”: Rhett’s favorite movie is “Meatballs 4”, Shawn has an unhealthy fixation on Resident Evil, Richard scoffs at anything that isn’t pretentious and hoity toity, and Adam is a prick who hates everything. We all watch far too many movies, and spend our […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


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Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.