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Paperhouse

By Adam Lippe

Don’t try to recapture your childhood. You’ll just end up watching The Goonies, grumbling, and muttering to yourself that you can’t believe you were such an easily entertained idiot. You also weren’t precocious, just irritating. Precocious is how adults describe children who annoy them, when they’re too polite to say so. My fear of disillusioning […]

Whatever Works

By Adam Lippe

Is it possible for a movie to be stagey and dated even if it was neither based on a play nor more than a few weeks old? Are cranky Jews all the same or is there a significant difference based on where they grew up and the specific cause of their self-hatred? Do all recent […]

Keep Fooling Yourself: The Films of Dylan Kidd

By Adam Lippe

Somehow, despite being made by a first time filmmaker in love with his own dialogue and with a tendency to smear sentimentality in where it shouldn’t be, Dylan Kidd’s Roger Dodger is one of the better low profile studio/independent films of the decade. Campbell Scott, though he is given all the best lines as a […]

Angels in America

By Adam Lippe

Angels in America is surprising in how it overcomes a facile ending and some ridiculously silly sequences (angels wrestling with each other) to remain generally moving and intimate. Emma Thompson’s dual performances as an angel and a NooYawk nurse were hammy, but Pacino and Justin Kirk, as the dumped AIDS infected lover walking around in […]

Haute Tension

By Adam Lippe

Though this has been out overseas on DVD for a few months, this French slasher won’t get a US theatrical release until mid summer. Apparently Lions Gate has decided to go with an uncut NC-17 version (Note: it turned out they changed their minds) which is nice seeing as the blood and extreme gore is […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.