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A very long interview with Outrage director Kirby Dick. It’s long. Take a lunch break so you can finish it.

By Adam Lippe

Along with allowing us to see his documentary Outrage, about outing closeted gay politicians who vote against their own interests (I’ve reviewed the movie here), director Kirby Dick was kind enough to go on a press tour. There were 4 reporters in the room, 3 if you don’t count me. Since I was not able […]

Happy Accidents

By Adam Lippe

Happy Accidents looks like a trendy romantic comedy. It had Vincent D’onofrio circa 1999 (though the movie wasn’t released until 2001), and it was made right after writer/director Brad Anderson’s excellent and ignored Next Stop, Wonderland.* It even has the K-Pax/Man Facing Southeast plot of a guy who may or not be insane and how […]

The Treadmill Thriller

By Adam Lippe

Paycheck is one of the better examples of what I call the Treadmill Thriller, in which a character is involved, unknowingly in building/devising something world altering for the government or a shady corporation, or he witnessed the building of it, and after the 20 minute set-up of this product, he spends the next 70 minutes […]

Overnight

By Adam Lippe

Overnight is a highly amusing and deserving embarrassment of Troy Duffy, the writer/director of The Boondock Saints. It follows Duffy from when Harvey Weinstein found him at the bar he was bouncing at and signed him to direct the film, have his band play the music, and even buy the bar and let him manage […]

An Ode to Val Kilmer

By Adam Lippe

Watching the thoroughly mediocre Entourage is a depressing experience. But there are some occasions where one is rewarded for their patience. In this particular episode, the characters were looking for weed, which seems to have dried up because of a massive drought on the West Coast. The main character’s health nut vegan girlfriend knows a […]

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]

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Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.